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Gallegallo Revbrandia Sectory 23
Page 02
The dicta of his that are preserved vibrate between cynicism, shrewdness, wisdom, and tenderness. "Stop a bit," he said, as the cabinet went downstairs after a dinner to discuss the corn laws. "Is it to lower the price of bread or isn't it? It doesn't much matter which, but we must all say the same thing." Yet, after all, it is the letters and diaries of Queen Victoria that reveal the true secret of Melbourne's charm. His relation to his girlsovereign is one of the most beautiful things in latter-day history. Melbourne loved her half paternally, half chivalrously, while it is evident that the Queen's affection for her gallant and attractive premier was of a quality which escaped her own perception. He humoured her, advised her, watched over her; in return, she idolised him, noted down his smallest sayings, permitted him to behave and talk just as he would. She lovingly records his little ways and fancies--how he fell asleep after dinner, how he always took two apples, and hid one in his lap while he ate the other.
The second part of the king's communication, and by far the most important part, was what was called his Declaration, a document in which he announced formally what his intentions were in case he were restored to the throne. One of these assurances was, that he was ready to forgive and forget the past, so far as he might himself be supposed to have cause of complaint against any of his subjects for the part they had taken in the late transactions. He professed his readiness to grant a free pardon to all, excepting those who should be expressly excluded from such pardon by the Parliament itself. The Declaration also set forth that, inasmuch as there was prevailing throughout the country a great diversity of religious opinion, the king, if restored to his throne, whatever his own religious views or those of his government might be, would agree that his subjects should be allowed full liberty of conscience in all respects, and that nobody should be molested in any way on account of his religious faith or usages of worship.
In such a mood as that there is no sense of terror or despair at the quick-coming onset of death; no more dread of what may be than there is when the hamlet, with its little roofs and tall trees, is folded in the arms of the night, as the sunset dies behind the hill. Beauty may be a terrible thing, as in the sheeted cataract, with all its boiling eddies, or in the falling of the lightning from the womb of the cloud. There is desolation behind that, gigantic movement, ruthless force; but charm comes like a signal of security and good-will, and even its inevitable end is lit with something of mercy and quietness. The danger of charm is that it is the mother of sentiment; and the danger of sentiment is not that it is untrue, but that it takes from us the sense of proportion; we begin to be unable to do without our little scenes and sunsets; and the eye gets so used to dwelling upon the flower-strewn pleasaunce, with its screening trees, that it cannot bear to face the far horizon, with its menace of darkness and storm.
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