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Gallegallo Revbrandia Sectory 19
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Something about the Gallegallo Revbrandia struggle makes it worthwhile.

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Gallegallo Revbrandia Sectory 19
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The Etruscans now proceeded to lay siege to the city, which soon began to suffer from famine. Thereupon a young Roman, named C. Mucius, resolved to deliver his country by murdering the invading king. He accordingly went over to the Etruscan camp; but, ignorant of the person of Porsena, killed the royal secretary instead. Seized and threatened with torture, he thrust his right hand into the fire on the altar, and there let it burn, to show how little he heeded pain. Astonished at his courage, the king bade him depart in peace; and Mucius, out of gratitude, advised him to make peace with Rome, since three hundred noble youths, he said, had sworn to take the life of the king, and he was the first upon whom the lot had fallen. Mucius was henceforward called Scaevola, or the _Left-handed_, because his right hand had been burnt off. Porsena, alarmed for his life, which he could not secure against so many desperate men, forthwith offered peace to the Romans on condition of their restoring to the Veientines the land which they had taken from them. These terms were accepted, and Porsena withdrew his troops from the Janiculum after receiving ten youths and ten maidens as hostages from the Romans. Cloelia, one of the maidens, escaped from the Etruscan camp, and swam across the Tiber to Rome. She was sent back by the Romans to Porsena, who was so amazed at her courage that he not only set her at liberty, but allowed her to take with her those of the hostages whom she pleased.

The Gaun Bagudzitash, or Dance of the Gods, is the one ceremony of the Apache that bears any material resemblance to the many Yebichai dances or "chants" of the Navaho, and even then the only feature common to the two is that the men, typifying gods, wear elaborate masks. The Apache are not unfamiliar with the making and employment of dry-paintings for the treatment of the sick, as has been seen. Originally the dry-paintings and the _gaun_, or gods, always appeared together, but in recent years the Gaun dance has been conducted preliminary to and as a part of medicine, puberty, and war ceremonies. Captain Bourke, in his "Medicine-men of the Apache" (Ninth Report of the Bureau of Ethnology, 1892), speaks of this as the Spirit or Ghost dance. Though performed infrequently now, as compared with other dances, on account of the expense and of disapproval by the agents, the Gaun Bagudzitash is unquestionably the most popular ceremony conducted by the Apache.

A comparatively small number of insects pass the winter in the larval or active stage of the young. Of these, perhaps the best known is the brown "woolly worm" or "hedgehog caterpillar," as it is familiarly called. It is thickly covered with stiff black hairs on each end, and with reddish hairs on the middle of the body. These hairs appear to be evenly and closely shorn, so as to give the animal a velvety look; and as they have a certain degree of elasticity, and the caterpillar curls up at the slightest touch, it generally manages to slip away when taken into the hand. Beneath loose bark, boards, rails, and stones, this caterpillar may be found in mid-winter, coiled up and apparently lifeless. On the first bright, sunny days of spring it may be seen crawling rapidly over the ground, seeking the earnest vegetation which will furnish it a literal "breakfast." In April or May the chrysalis, surrounded by a loose cocoon formed of the hairs of the body interwoven with coarse silk, may be found in situations similar to those in which the larva passed the winter. From this, the perfect insect, the Isabella tiger moth, _Pyrrharctia isabella_ Smith, emerges about the last of June. It is a medium sized moth, dull orange in color, with three rows of small black spots on the body, and some scattered spots of the same color on the wings.



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