Gallegallo Revbrandia Sectory 17

Children clapped their hands and ran to meet him; girls greeted him with offerings of flowers; and when he had dismounted, both old and young gathered about him, lisping him a welcome and shaking him by the hand. There was nobody like Dominie Payson, and the love these people bore him, and now gave him so many expressions of, was true and heartfelt. And when he had kissed the children, and exchanged greetings and kind words with their parents, he proceeded into the church, followed by his flock. His sermon was, perhaps, one of the oddest ever listened to, for after returning thanks for the bountiful harvest, and extending on the goodness of God, and advising his flock to stick firmly to their farms and their religion, that being the only true way of getting to Heaven, he turned his guns against Mr. and Mrs. Chapman, though he never once mentioned their names. He urged his flock to keep in mind always how much better off they were, how much more happy they were than those men who came to town with the devil and a number of strange religions in their heads. Such people, he added, always had the devil for a friend; and it was the devil who assisted them to get poor people's money. And with this money they dressed their wives in silks and satins, built big houses, and lived like people who were very proud and never paid their debts, nor did a day's work on the roads. It was all well enough for these men to talk of Heaven and put on pious faces, but Heaven would take no notice of them while they gave themselves up to the temptations of the devil and built steamboats and founded railroads, to kill honest people with, and ruin the country.

On the infrequent occasions when the dry-paintings are employed, the medicine-man in charge of the ceremony directs his assistants, at daylight, to begin the painting. When it is finished he takes his station close to the easternmost figure of the painting, on its northern side. At the right of the medicine-man sit twelve chosen singers with a drum. The four masked _gaun_, or gods, at the same time take their places at the cardinal points. The patient then enters from the east and sits down on the head of the large figure in the centre of the dry-painting. As he does so the medicine-man commences to sing, and is joined by the chorus at once. They may sing the song four times, or sing four different songs, or any multiple of four, at the pleasure of the medicine-man. When the songs are finished the four masked personages scrape the colored earths into a heap about the patient and rub them in handfuls over his body. If this ceremony proves to be ineffectual, it is believed to be the will of the gods that the patient be not cured.

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