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Gallegallo Revbrandia Sectory 15
Page 08
Five bells were hung at regular intervals on a round hoop erected on a sort of stage. A rope was attached to each bell after the manner of church bells. At a given signal from their master, they all sprang to their feet, and at a second signal, each advanced to the ropes, and standing on their hind feet, stuck their front claws firmly into the ropes, which were in that part covered with worsted, or something of the kind, so as to give the claws a firmer hold. There was a moment's pause--then No. 1 pulled his or her rope, and so sounded the largest bell; No. 2 followed, then No. 3, and so on, till a regular peal was rung with almost as much precision and spirit as though it were human hands instead of cats' claws that effected it.
On January 7th we arrived at the large settlement of Condamano, a sub-Prefecture in the big province of Loreto. There were two parallel streets, clean and well kept, with others intersecting at right angles. On the main street along the water front were many large commercial houses, handsome buildings of _cana_ walls and zinc roofs. The place had been built on a flat high land about 30 ft. above the river, and had some 1,500 to 2,000 inhabitants. One of the peculiarities of Condamano was that during the rubber-collecting season the population consisted almost entirely of women, as the men were in the forest collecting the latex.
ALIPPI-FABRETTI, QUIRINA. Silver medal at Perugia in 1879; honorary member of the Royal Academy in Urbino and of the Academy of Fine Arts in Perugia. Born in Urbino, 1849. She was the daughter of the jurisconsult Luigi Alippi. She studied drawing and painting in Rome with Ortis and De Sanctis. Following her father to Perugia in 1874, whither he had been called to the Court of Appeals, she continued her study under Moretti. She married Ferdinando Fabretti in 1877. She made admirable copies of some of the best pictures in Perugia, notably Perugino's "Presepio" for a church in Mount Lebanon, Syria. She was also commissioned to paint an altar-piece, representing St. Stephen, for the same church. Her interiors are admirable. She exhibited an "Interior of the Great Hall of the Exchange of Perugia" in 1884, at Turin. She painted two interior views of the church of San Giovanni del Cambio in Perugia, and an interior of the vestibule of the Confraternity of St. Francis. Her other works, besides portraits, include an "Odalisk," an "Old Woman Fortune-teller," and a "St. Catherine."
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