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Gallegallo Revbrandia Sectory 14
Page 01
Others, as the rabbits, field-mice, and squirrels, are more or less active and forage freely on whatever they can find, eating many things which in summer they would spurn with scorn. To this class belongs that intelligent but injurious animal the musquash or muskrat. Those which inhabit the rivers and larger streams live in burrows dug deep beneath the banks, but those inhabiting sluggish streams and ponds usually construct a conical winter house about three feet in diameter and from two to three feet in height. These houses are made of coarse grasses, rushes, branches of shrubs, and small pieces of driftwood, closely cemented together with stiff, clayey mud. The top of the house usually projects two feet or more above the water, and when sun-dried is so strong as to easily sustain the weight of a man. The walls are generally about six inches in thickness and are very difficult to pull to pieces. Within is a single circular chamber with a shelf or floor of mud, sticks, leaves and grass, ingeniously supported on coarse sticks stuck endwise into the mud after the manner of piles. In the centre of this floor is an opening, from which six or eight diverging paths lead to the open water without, so that the little artisan has many avenues of escape in case of danger. These houses are often repaired and used for several winters in succession, but are vacated on the approach of spring. During the summer the muskrat is, in the main, a herbivorous animal, but in winter necessity develops its carnivorous propensities and it feeds then mainly upon the mussels and crayfish which it can dig from the bottom of the pond or stream in which its house is built.
These great reforms naturally excited the most violent opposition, and the Patricians induced some of the Plebeians to put their veto upon the measures of their colleagues. But Licinius and Sextius were not to be baffled in this way, and they exercised their veto by preventing the Comitia of the Centuries from electing any magistrates for the next year. Hence no Consuls, Military Tribunes, Censors, or Quaestors could be appointed; and the Tribunes of the Plebs and the AEdiles, who were elected by the Comitia of the Tribes, were the only magistrates in the state. For five years did this state of things continue. C. Licinius and L. Sextius were re-elected annually, and prevented the Comitia of the Centuries from appointing any magistrates. At the end of this time they allowed Military Tribunes to be chosen in consequence of a war with the Latins; but so far were they from yielding any of their demands, that to their former Rogations they now added another: That the care of the Sibylline books, instead of being intrusted to two men (duumviri), both Patricians, should be given to ten men (decemviri), half of whom should be Plebeians.
ASSCHE, AMELIE VAN. Portrait painter and court painter to Queen Louise Marie of Belgium. She was born in 1804, and was the daughter of Henri Jean van Assche. Her first teachers were Mlle. F. Lagarenine and D' Antissier; she later went to Paris, where she spent some time as a pupil of Millet. She made her debut at Ghent in 1820, and in Brussels in 1821, with water-colors and pastels, and some of her miniatures figured in the various exhibitions at Brussels between 1830 and 1848, and in Ghent between 1835 and 1838. Her portraits, which are thought to be very good likenesses, are also admirable in color, drawing, and modelling; and her portrait of Leopold I., which she painted in 1839, won for her the appointment at court.
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