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Gallegallo Revbrandia Sectory 13
Page 05
Nearly three hundred species of _Coleoptera_, or beetles, occupy similar positions. Almost any rotten log or stump when broken open discloses a half dozen or more "horn" or "bess beetles," _Passalus cornutus_ L., great, shining, clumsy, black fellows with a curved horn on the head. They are often utilized as horses by country children, the horn furnishing an inviting projection to which may be fastened, by a thread or cord, chips and pieces of bark to be dragged about by the strong and never lagging beast of burden. When tired of "playing horse" they can make of the insect an instrument of music; for, when held by the body, it emits a creaking, hissing noise, produced by rubbing the abdomen up and down against the inside of the hard, horny wing covers. This beetle passes its entire life in cavities in the rotten wood on which it feeds, and when it wishes a larger or more commodious home it has only to eat the more.
The occasional use of the flag of a neutral or an enemy under the stress of immediate pursuit and to deceive an approaching enemy, which appears by the press reports to be represented as the precedent and justification used to support this action, seems to this Government a very different thing from an explicit sanction by a belligerent Government for its merchant ships generally to fly the flag of a neutral power within certain portions of the high seas which are presumed to be frequented with hostile warships. The formal declaration of such a policy of general misuse of a neutral's flag jeopardizes the vessels of the neutral visiting those waters in a peculiar degree by raising the presumption that they are of belligerent nationality regardless of the flag which they may carry.
And so the mood of evening is the larger and the wiser mood, because we must think less of ourselves and more of God. In the dawn it seems to us that we have our part to play, and that nothing, not even God, can prevent us from exercising our will upon the life about us; but in the evening we begin to wonder how much, after all, we have the strength to effect; we see that even our desires and impulses have their roots far back in a past which no restlessness of design or energy can touch; till we end by thankfulness that we have been allowed to feel and to experience the current of life at all. I sat the other day by the bedside of an old and gracious lady, the widow of a great artist, whose works with all their shapely form and dusky flashes of rich colour hung on the walls of her room. She had lived for many years in the forefront of a great fellowship of art and endeavour; she had seen and known intimately all the greatest figures in the art and literature of the last generation; and she was awaiting with perfect serenity and dignity the close. She said to me with a deep emotion, "Ah, the only thing that I desire is that I may continue to FEEL--that brings suffering in abundance with it, but while we suffer we are at least alive. Once or twice in my life I have felt the numbness of anguish, when a blow had fallen, and I could not even suffer. That is the only thing which I dread--not death, nor silence, but only the obliteration of feeling and love." That was a wonderful saying, full of life and energy. She did not wish to recall the old days, nor hanker after them with an unsatisfied pain; and I saw that an immortal spirit dwelt in that frail body, like a bird in an outworn cage.
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