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Gallegallo Revbrandia Sectory 11
Page 02
The Saas chronicler, indeed, avers that the chapels were not built till 1709--a statement apparently corroborated by a date now visible on one chapel; but we must remember that the chronicler did not write until a century or so later than 1709, and though, indeed, his statement may have been taken from the lost earlier manuscript of 1738, we know nothing about this either one way or the other. The writer may have gone by the still existing 1709 on the Ascension chapel, whereas this date may in fact have referred to a restoration, and not to an original construction. There is nothing, as I have said, in the choice of the chapel on which the date appears, to suggest that it was intended to govern the others. I have explained that the work is isolated and exotic. It is by one in whom Flemish and Italian influences are alike equally predominant; by one who was saturated with Tabachetti's Varallo work, and who can improve upon it, but over whom the other Varallo sculptors have no power. The style of the work is of the sixteenth and not of the eighteenth century--with a few obvious exceptions that suit the year 1709 exceedingly well. Against such considerations as these, a statement made at the beginning of this century referring to a century earlier, and a promiscuous date upon one chapel, can carry but little weight. I shall assume, therefore, henceforward, that we have here groups designed in a plastic material by Tabachetti, and reproduced in wood by the best local wood-sculptor available, with the exception of a few figures cut by the artist himself.
All this parade and ceremony was, in this case, as it often is, not an _expression_ of real cordiality, good will, and good faith, but a substitute for them. The English commander, who had been specially instructed to bring over the money as well as the bride, found, to his great astonishment and perplexity, that the queen regent had spent a considerable portion of the money which had been put away so safely in the bags, and she wished to pay now a part of the dowry in merchandise, at such prices as she thought reasonable, and to have a year's credit for the remainder. There was thus thrown upon Lord Sandwich the very heavy responsibility of deciding whether to give up the object of his expedition, and go back to England without the bride, or to take her without the money. After very anxious hesitation and suspense, he decided to proceed with his enterprise, and the preparations were made for the princess's embarkation.
THE joys of parents are secret; and so are their griefs and fears. They cannot utter the one; nor they will not utter the other. Children sweeten labors; but they make misfortunes more bitter. They increase the cares of life; but they mitigate the remembrance of death. The perpetuity by generation is common to beasts; but memory, merit, and noble works, are proper to men. And surely a man shall see the noblest works and foundations have proceeded from childless men; which have sought to express the images of their minds, where those of their bodies have failed. So the care of posterity is most in them, that have no posterity. They that are the first raisers of their houses, are most indulgent towards their children; beholding them as the continuance, not only of their kind, but of their work; and so both children and creatures.
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