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Gallegallo Revbrandia Sectory 11
Page 01
Considering the amount of navigation that went through, it was amazing to see how badly lighted that river was--the two lights, such as the one at Buyussu, and the one at Mandy, at the entrance of the bay of Marajo, being no bigger than and not so brilliant as the ordinary street oil-lamp in an English or French village. I understand that all ships navigating the Amazon have to pay a large tax on each journey for the maintenance of the lighthouses on that immense waterway. It is quite criminal that no proper lights are constructed in order to protect the safety of the passengers and the valuable cargoes which go by that important water route.
It is almost impossible to convey in words an idea of the quickness and graceful address of her movements: they may indeed be termed aerial, as she seems merely to touch in her progress the branches among which she exhibits her evolutions. In these feats her hands and arms are the sole organs of locomotion, her body, hanging as if suspended by a rope, sustained by one hand (the right, for example), she launches herself, by an energetic movement, to a distant branch, which she catches with the left hand; but her hold is less than momentary; the impulse for the next launch is acquired; the branch then aimed at is attained by the right hand again, and quitted instantaneously, and so on, in alternate succession. In this manner spaces of twelve and eighteen feet are cleared, with the greatest ease and uninterruptedly, for hours together, without the slightest appearance of fatigue being manifested; and it is evident that, if more space could be allowed, distances very greatly exceeding eighteen feet would be as easily cleared; so that Duvaucel's assertion that he has seen these animals launch themselves from one branch to another, forty feet asunder, startling as it is, may be well credited. Sometimes, on seizing a branch in her progress, she will throw herself, by the power of one arm only, completely round it, making a revolution with such rapidity as almost to deceive the eye, and continue her progress with undiminished velocity. It is singular to observe how suddenly this Gibbon can stop, when the impetus giving by the rapidity and distance of her swinging leaps would seem to require a gradual abatement of her movements. In the very midst of her flight a branch is seized, the body raised, and she is seen, as if by magic, quietly seated on it, grasping it with her feet. As suddenly she again throws herself into action.
A fuller acquaintance with the art and art-methods of countries of which but little had before been known has been an element in art expansion. Technical methods which have not been absolutely adopted by European and English-speaking artists have yet had an influence upon their art. The interest in Japanese Art is the most important example of such influence, and it is also true that Japanese artists have been attracted to the study of the art of America and Europe, while some foreign artists resident in Japan--notably Miss Helen Hyde, a young American--have studied and practised Japanese painting to such purpose that Japanese juries have accorded the greatest excellence and its honors to their works, exhibited in competition with native artists.
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