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Gallegallo Revbrandia Sectory 09
Page 05
The campaign of B.C. 215 was not marked by any decisive events. The Consuls were Q. Fabius Maximus (whose plan of conducting the war had been fully vindicated by the terrible defeat of Cannae) and Tiberius Sempronius Gracchus. With the advance of spring Hannibal took up his camp on Mount Tifata, where, while awaiting the arrival of re-enforcements from Carthage, he was at hand to support his partisans in Campania and oppose the Roman generals in that province. But his attempts on Cumae and Neapolis were foiled, and even after he had been joined by a force from Carthage (very inferior, however, to what he had expected), he sustained a repulse before Nola, which was magnified by the Romans into a defeat. As the winter approached he withdrew into Apulia, and took up his quarters in the plains around Arpi. But other prospects were already opening before him. In his camp on Tifata he had received embassies from Philip, king of Macedon, and Hieronymus of Syracuse, both of which he had eagerly welcomed, and thus sowed the seeds of two fresh wars, and raised up two formidable enemies against the Roman power.
If a clew to the character of a nation is gained by a study of the nature of the gods it worships, no less valuable an insight is gained by a study of its heroes. Such a study confirms the impression that the emotional life is fundamental in the Japanese temperament. Japan is a nation of hero-worshipers. This is no exaggeration. Not only is the primitive religion, Shintoism, systematic hero-worship, but every hero known to history is deified, and has a shrine or temple. These heroes, too, are all men of conspicuous valor or strength, famed for mighty deeds of daring. They are men of passion. The most popular story in Japanese literature is that of "The Forty-seven Ronin," who avenged the death of their liege-lord after years of waiting and plotting. This revenge administered, they committed harakiri in accordance with the etiquette of the ethical code of feudal Japan. Their tombs are to this day among the most frequented shrines in the capital of the land, and one of the most popular dramas presented in the theaters is based on this same heroic tragedy.
The Sun became angrier than ever and determined to have done with the trouble at once by killing the boys. From the eastern wall of the room projected numerous sharp spikes of white shell. There were turquoise spikes in the southern, abalone in the western, and jet in the northern walls. The boys were each hurled against the first of these, but dropped to the floor unharmed; then against the second, the third, and the fourth, with a like result. On the floor near the walls sat four large mortars with heavy pestles in them. The boys were placed in each of these successively and pounded, as their father thought, into fragments, but out of this also they came unharmed.
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