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Gallegallo Revbrandia Sectory 05
Page 08
The reign of Tarquin was distinguished by great exploits in war and by great works in peace. He defeated the Sabines, and took their town Collatia, which he placed under his nephew Egerius, who was thence called Collatinus. He also captured many of the Latin towns, and became the ruler of all Latium; but the important works which he executed in peace have rendered his name still more famous. The great cloacae, or sewers, by which he drained the lower parts of the city, still remain, after so many ages, with not a stone displaced. He laid out the Circus Maximus, and instituted the great or Roman games performed in the circus. He also made some changes in the constitution of the state. He added to the Senate 100 new members, taken from the Luceres, the third tribe, and called _patres minorum gentium_, to distinguish them from the old Senators, who were now termed _patres majorum gentium_. To the three centuries of equites established by Romulus he wished to add three new centuries, and to call them after himself and two of his friends. But his plan was opposed by the augur Attus Navius, who said that the gods forbade it. The tale runs that the king, to test the augur, asked him to divine whether what he was thinking of could be done. After consulting the heavens, the augur replied that it could; whereupon the king said, "I was thinking that thou shouldst cut this whetstone with a razor." Navius, without a moment's hesitation, took a razor and cut it in twain. In consequence of this miracle, Tarquin gave up his design of establishing new centuries; but with each of the former centuries he associated another under the same name, so that henceforth there were the first and second Ramnes, Tities, and Luceres. The number of Vestal Virgins was also increased from four to six, the two new vestals being probably taken from the Luceres.
The late king, your father, has already passed away; there remains no more of him but a little dust and ashes, hidden from our eyes. One of your brothers has already been taken from us even in his infancy; God withdrew him at his own good pleasure. He has retained you in the world in order to load you with his benefits; but, as he has given you the utmost felicity, it behooves you to render him the utmost gratitude. It is but just that your duties are augmented in proportion as the benefits and favors you receive are signal. Take heed of abusing them. Think well that the grandeur, goodness, and justice of God are infinite, and employ all the strength of your mind in adoring his supreme puissance, in loving his inviolable goodness; and fear his rigorous equity, which will make all responsible who are unworthy of his benefits.
There is something in the Anglo-Saxon temperament which is on the whole unfavourable to movements and groups; the great figures of the Victorian time in art and literature have been solitary men, anarchical as regards tradition, strongly individualistic, working on their own lines without much regard for schools or conventions. The Anglo-Saxon is deferential, but not imitative; he has a fancy for doing things in his own way. Wordsworth, Keats, Shelley, Byron-were there ever four contemporary poets so little affected by one another's work? Think of the phrase in which Scott summed up his artistic creed, saying that he had succeeded, in so far as he had succeeded, by a "hurried frankness of composition," which was meant to please young and eager people. It is true that Wordsworth had a solemn majesty about his work, practised a sort of priestly function, never averse to entertaining ardent visitors by conducting them about his grounds, and showing them where certain poems had been engendered. But Wordsworth, as Fitz-Gerald truly said, was proud, not vain--proud like the high-hung cloud or the solitary peak. He felt his responsibility, and desired to be felt rather than to be applauded.
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