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Gallegallo Revbrandia Sectory 04
Page 12
The earliest decorative art appeared in Ireland. It was probably first planted there by missionaries from Italy, and it reached its height in the seventh century. In the ninth and tenth centuries missal illumination of a Byzantine cast, with local modifications, began to show. This lasted, in a feeble way, until the fifteenth century, when work of a Flemish and French nature took its place. In the Middle Ages there were wall paintings and church decorations in England, as elsewhere in Europe, but these have now perished, except some fragments in Kempley Church, Gloucestershire, and Chaldon Church, Surrey. These are supposed to date back to the twelfth century, and there are some remains of painting in Westminster Abbey that are said to be of thirteenth and fourteenth-century origin. From the fifteenth to the eighteenth century the English people depended largely upon foreign painters who came and lived in England. Mabuse, Moro, Holbein, Rubens, Van Dyck, Lely, Kneller--all were there at different times, in the service of royalty, and influencing such local English painters as then lived. The outcome of missal illumination and Holbein's example produced in the sixteenth and seventeenth centuries a local school of miniature-painters of much interest, but painting proper did not begin to rise in England until the beginning of the eighteenth century--that century so dead in art over all the rest of Europe.
There, grouped around his table, sat the Dominie, Doctor Critchel, Bright the inn-keeper, and the schoolmaster, for Hanz had invited them to sup with him, and Angeline had prepared the best she had to set before them. There, too, was Tite's empty chair. There it stood, silent and touching, all the pleasant memories it once contained made sad now by the mystery that enshrouded his long absence. There was his plate, and his knife and fork, all so bright and clean, set as regularly as if he were home, and guarded so tenderly. The eloquence of that vacant chair, appealing so directly to the finer sensibilities of every one present, left a deep and sad impression. Supper was nearly over before any of the guests had courage to refer to it. The Dominie at length raised his spectacles and addressing Angeline, said: "Heaven gives to every house its idol. We have been blessed to-day, and made happy. It will yet please Heaven to bring back the idol of this house, and fill that empty chair. I am sure we shall all be glad when the boy gets home."
The Siasin, or Antelope of India, roams over the open and rocky plains of that immense country. It is distinguished from the rest of its family by the beauty and singular shape of its horns, which are annulated or ringed, and spirally convoluted or curved together, making two or more turns, according to the age of the animal. The fakirs and dervishes of India, who are enjoined by their religion from carrying swords, frequently wear at their girdles the polished horns of the siasin instead of the usual military arm. This antelope is one of the fleetest-footed of its family, and its leap is something wonderful. It is not uncommon for it to vault to the height of twelve or thirteen feet, passing over ten or twelve yards at a single bound. In color it is almost black on the upper part of the body, and light-colored beneath. When full grown, it is about the size of our common deer.
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